“War in Tethyr starts off as a potentially interesting story, but devolves into a polemic where the author uses this mass-market paperback fantasy novel as a soapbox for espousing his political convictions.”
“It’s basically Malaugrym spring break — unwise youngsters on their own without supervision for the first time, making bad decisions and getting into trouble — which is the worst way to sell them as impressive villains.”
“If I were to rank every baby in fiction by how sympathetically they’re portrayed, Kaedlaw would rank just ever so slightly above the keening fetus-beast from Eraserhead.”
“There are a million problems with drow society, but Liriel’s only problem with it is that it so often bores her.”
I just did an interview with D&D YouTube personality No Fun Allowed where we chat about literary criticism, D&D novels, and the process of reviewing them. See if you can pinpoint the exact moment in the video where I spill a small amount of tea on myself, then try to look cool and pretend it never happened! So smooth.
“It’s such a relief to spend time with a female character who feels like a real person after slogging through so many women used as sex objects in the recent Ed Greenwood novels.”
“The general impression is that the world revolves around Elminster to such an extreme degree that if he were to spend an hour in the toilet after eating a bad mussel, the world would crumble to its very foundations.”
“I’d heard whispered rumours of this book before, sinister intimations that someone had written a Forgotten Realms novel so bad that it would rend your sanity and leave you a gibbering wreck if you should dare to peer into its pages for too long. Naturally, like the protagonist of any Lovecraft story, I assumed this was overblown nonsense and plunged right in…”
“Pinch makes a fantastic anti-hero protagonist, as morally grey, vicious in a fight, and good at ferreting out plots as any Dashiell Hammett detective.”
“I thought it was bad in Salvatore’s books when the last third of a novel would be one long running battle, but Shadows of Doom is practically nothing but combat — an entire book of meaningless violence with practically no plot and only occasional pauses for breath.”
