The cover of Cloak of Shadows. Swirling blue stuff obscures most of the image, but we can make out Khelben Arunsun wielding a black staff against a flailing humanoid figure.

Cloak of Shadows

“The general impression is that the world revolves around Elminster to such an extreme degree that if he were to spend an hour in the toilet after eating a bad mussel, the world would crumble to its very foundations.”

The cover of Once Around the Realms. Two portly bearded men sit next to a campfire. In the smoke from their fire can be seen several ghostly faces.

Once Around the Realms

“I’d heard whispered rumours of this book before, sinister intimations that someone had written a Forgotten Realms novel so bad that it would rend your sanity and leave you a gibbering wreck should you dare to peer into its pages for too long. Naturally, like the protagonist of any Lovecraft story, I assumed this was overblown nonsense and plunged right in…”

The cover of King Pinch. A black-haired swordsman holds a glowing goblet in one hand. At his feet lies the corpse of a tonsured monk. A city is visible through a window.

King Pinch

“Pinch makes a fantastic anti-hero protagonist, as morally grey, vicious in a fight, and good at ferreting out plots as any Dashiell Hammett detective.”

The cover of Shadows of Doom. Swirling blue stuff obscures most of the image, but Elminster is visible in the foreground gesturing dramatically in a red robe and big hat. He has a long white beard and a pipe in his mouth.

Shadows of Doom

“I thought it was bad in Salvatore’s books when the last third of a novel would be one long running battle, but Shadows of Doom is practically nothing but combat — an entire book of meaningless violence with practically no plot and only occasional pauses for breath.”

The cover of The Giant Among Us. In the background, a two-headed giant unconvincingly breaks through a wall. In the foreground, a conventionally attractive blond man uses a shield to protect a conventionally attractive blond woman. Everyone looks like they were traced from photo reference.

The Giant Among Us

“We’re once again in not-quite-the-Realms, where only a single brief reference to ‘the continent of Faerûn’ establishes that we’re actually in the Forgotten Realms and not in some random standalone fantasy trilogy.”

The cover of Elminster: The Making of a Mage. A red-bearded mage does something magical with his hand involving lots of wavy lines. A small figure, a boy or a halfling, looks up at it in awe. In the corner is a small inset picture of adult Elminster for some reason.

Elminster: The Making of a Mage

“Speaking for myself, I suspect that it would be difficult to get into a romantic mood if my arms ended in bleeding stumps. But who knows? Perhaps Elminster is made of sterner stuff than I.”

The cover of Realms of Infamy. In the background, a dragon flies amongst rock spires. In the middle, a black-hooded man with a glowing staff and eyes looks menacing. In the foreground is a fancy-dressed man brandishing a sword.

Realms of Infamy

“TSR has finally gotten around to employing several new authors to write Realms material. Do these newcomers bring a fresh set of voices to familiar material, or are they just new line cooks churning out the same old dishes?”

The cover of The Ogre's Pact. In the center is an anatomically bizarre ogre with an axe. In the foreground is a man with a sword opposing it. Off to one side is a vaguely concerned-looking young woman.

The Ogre’s Pact

“The basic outline of the plot has promise — important person with dark secret, kidnapped daughter, mysterious forces behind it all — but the implementation is sloppy.”

The cover of Siege of Darkness. The face of Matron Baenre, a drow matriarch with a spider tiara, is on the left. On the right is Drizzt, a hooded white-haired dark elf, looking out into the distance.

Siege of Darkness

“Drow names have been getting increasingly ridiculous over the course of these novels. ‘Zeerith Q’Xolarrin’? Seriously? Buddy, you can’t just mash your face around on the keyboard and call it a name.”

The cover of The Chaos Curse. A bearded young man swings a staff to attack a scary dark evil vampire thingy.

The Chaos Curse

The Chaos Curse kicks off by delving into the most exciting type of conflict known to literature: academic politics!”