The cover of The Ring of Winter. A triceratops crashes through the jungle at two men. One of them, a mostly-naked black man, is throwing a spear at it with one hand and holding a Zulu-style shield with the other. The other is a short-haired white man shouting and nocking a bow. This is the only appearance of a black person on a Forgotten Realms cover, which is depressing.

The Ring of Winter

“Is it even possible to write a story of lost cities, dark jungles, and cannibal natives in our modern era without being anachronistic and offensive? Apparently so.”

The cover of The Coral Kingdom. The background is the king and queen of the Moonshaes, a pair of middle-aged crowned adults looking off into the distance sternly. In the foreground is a heavily armoured elf posing dramatically with a sword on a rock. Also, there's a random shark floating around.

The Coral Kingdom

“Does he just not realize that other plots exist? That you can have a story that doesn’t start and end with an evil god doing bad things just for evil’s sake? Maybe even a plot where people are in conflict with other people, possibly for reasons other than ‘Group A is good and Group B is evil’?”

The cover of The Legacy. On the left is a long-legged spider outlined in purple. In the centre is Drizzt, a long-haired dark elf who looks oddly white-skinned and old here.

The Legacy

“Let’s be honest: Drizzt wouldn’t know what to do with himself if he didn’t have things to kill on a regular basis. I don’t buy this self-pitying pacifist bollocks for one minute.”

The cover of Night Masks. A young woman and a young man are in a rowboat, and a zombie is rising out of the water to attack them. The young woman brandishes a knife at it; the young man is waving a staff.

Night Masks

“Writing tip: when your other characters start lampshading how incredibly annoying it is that your protagonist magically knows everything, maybe, just maybe it’s time to dial the omniscience back a bit.”

The cover of The Night Parade. Some sort of weird genie monster crosses his arms in the background. In the foreground, an armored woman with impossibly weird anatomy looks over her shoulder at a weird fleshy humanoid thing. The background is blue-tinged dark clouds.

The Night Parade

“It’s a wild, shambolic farrago which subverts my expectations for a Forgotten Realms novel, a horror story that’s grossly out of place among these heroic fantasy epics and owes more to Stephen King than Tolkien.”

The cover of In Sylvan Shadows. A black-clad elf on a white horse is accosted by a muscular young woman and a robed young man with a feathered hat. He doesn't look happy to see them. Behind them all, some sort of ogre or goblin or something is rising up with a sword to attack.

In Sylvan Shadows

“Goblins, orcs, ogres, orogs, ogrillons, giants — say what you like about the forces of evil, but at least they’ve put a lot of effort into creating a diverse workplace.”

The cover of Prophet of Moonshae. In the background is a young blond woman with a crown, presumably Alicia. In the foreground are a Viking longboat and a stereotypical Viking man with a horned helmet, axe, and shield.

Prophet of Moonshae

“Well, all good things have to come to an end eventually. There was a long stretch of no books written by Douglas Niles for a while, but now he’s back with another trilogy focusing on more shenanigans in the Moonshae Isles.”

The cover of Pools of Darkness. Two humans stand against a hellish red background. One is a long-haired woman holding a staff, the other is the same chain-mailed swordsman from the cover of Pool of Radiance, except now he's grown a short blond beard.

Pools of Darkness

“Now, I’m not the sort of reader who believes that it’s necessary to torture your characters to make compelling drama. But characters who have only one problem are only as interesting as that problem, and ‘monsters attack’ is not interesting.”

The cover of Red Magic. A bald wizard in red robes with a tattoo on his forehead is holding a hand over a glowing red orb that's shooting tendrils of energy all around. He holds a staff with a skull on it. (I think that means he's a bad guy.)

Red Magic

“But even I know enough about wilderness survival to be sure that you shouldn’t treat a freely bleeding stab wound by rubbing a bunch of ferns into it, and you shouldn’t try sliding around the forest on gobbets of raw antelope.”

The cover of Canticle. In the background, a robed young man with a walking stick is strolling down a path with a mountain in the background, reading a book. In the foreground, an evil-looking red-robed figure is holding a glowing vial and staring off to the side.

Canticle

“With five books all focusing on one overarching story, the temptation to indulge in sloppy characterization and meandering plots requires immense discipline to avoid. “Disciplined” isn’t really an adjective that springs to mind when I think about Salvatore’s writings thus far.”