The cover of Elfshadow. On a rocky outcropping, a graceful black-haired woman wielding a sword stands next to a tall blond man who looks like a chubby football player. A giant moon fills the sky behind them.

Elfshadow

“It’s good to see elven society finally getting some attention. Despite their thousands of years of culture and history, most authors don’t go any further into characterizing elves than the usual ‘nature-loving hippies’ stereotype.”

The cover of The Parched Sea. Three people are sitting on the floor of a tent with a meal set in front of them. One is a black-robed Arab man waving a curved dagger around. The second is a veiled young woman recoiling from him. The third is a desert-robed white man who looks unconcerned about the display. The roast chicken in their meal looks like the author had never seen a cooked chicken before and drew it from a description.

The Parched Sea

“So what are we to make of this Lawrence of Anauroch? It may be derivative, but it’s certainly not boring.”

The cover of Sojourn. Drizzt, a white-haired dark elf, stands at the mouth of a cave. Outside is the open sky and the surface world. His left hand rests on the back of Guenhwyvar, his giant panther companion who's posing next to him.

Sojourn

“Montolio feels like a much more sinister character to me now as an adult than he did when I was a teenager — the personification of the ugly questions about racism that the Drizzt books keep raising but then never addressing.”

The cover of Feathered Dragon. In the foreground is a colourful pyramid standing in a flat desert. In the blue sky above it are various disconnected images: a man wearing a jaguar hood and face paint and carrying a spear, a metal-armored orc, a dragon, and some random Maztican warriors.

Feathered Dragon

“Just once I’d like to see Niles write a book with no divine intervention or mystical prophecies in it, where someone in the plot has some real agency… but I’m not getting my hopes up.”

The cover of Song of the Saurials. The background is a scene of mountains and forests. On the left, Alias, a red-headed young woman, poses dramatically and holds the glowing yellow Finder's Stone above her head. In the centre is Finder, a greying older man looking proud and holding an ornate horn instrument. On the right is Grypht, a large scaly humanoid with the head of a triceratops, wearing robes and holding a staff.

Song of the Saurials

“‘The gods give you a quest’ ranks right up there with ‘You all meet in a tavern’ and ‘You’re the chosen one’ amongst the pantheon of role-playing game clichés.”

The cover of Crusade. In the background is King Azoun, an older man with greying brown hair, a jewelled crown, and a world-weary expression. In the left foreground are two armored dwarves, one holding a falcon and one holding an axe. On the right is Alusair, a blonde young woman in full plate armor staring at her drawn sword.

Crusade

“1991 brought us many momentous events: the first Gulf War, the fall of the Soviet Union, the end of apartheid, and the release of the final book in the Empires trilogy. (Curiously, that last one takes up much less space in the history books than the others.)”

The cover of Exile. In the background is the giant floating head of Guenhwyvar, a giant panther, with an expression that could be either menacing or laughing while stoned. In the foreground is Drizzt, a white-haired dark elf, looking dramatic while fire flares around him and a couple of goblins look on, terrified.

Exile

“There’s still some dialogue that feels stilted, some descriptions which seem affected, but the writing here isn’t nearly as painful as his previous work. (Either that or I’m just developing scar tissue from all the terrible books I’ve read, which is a very real possibility.)”

The cover of Homeland. Drizzt, a dark elf with long white hair, climbs over a tall black gate with a scimitar in one hand. Behind him is an ornate building with many phallic-looking towers.

Homeland

“I’ve thrown a fair amount of shade at Salvatore in my previous reviews — the Mary Sue characters, the stilted dialogue, the incredibly florid, dramatic prose style — and all of those flaws are still present here. But despite all that, I have to admit that this is a surprisingly good book.”

The cover of Viperhand. In the foreground, an erupting volcano rises out of a lake. In the background are a series of disconnected images: a cloaked man with an indescribably silly helmet, a woman in particoloured clothing carrying a wand, an armoured crossbowman, some Maztican warriors, and a hand with an eye in the palm.

Viperhand

“So let me get this straight, old man — you did a Ph.D in Astrology just so you could tell us “the moon’s going to keep shining, and things will be different”? Jesus, I could have told you that!”

The cover of Dragonwall. In the background is Batu Min Ho, an Asian man with long black hair and a thin, drooping moustache. In the foreground are two women in tight-fitting cheongsam dresses and the Shou Emperor sitting on a throne shaped like a green dragon.

Dragonwall

“After all, the one thing D&D was really lacking was yet another goddamned word for polearms…”