The cover of Test of the Twins. In front of an indistinctly cloudy background, two figures pose dramatically in a symmetrical composition. In the back, Raistlin, a mage with black robes and long white hair, holds a glowing staff. In the foreground, Caramon, a warrior with fancy plate mail and flowing brown hair, holds a sword and shield. They're both staring at the camera.

Test of the Twins

“So many of the outstanding plot threads were resolved at the end of the previous novel that they had to really work to pad this one out — and that’s forcing me, in turn, to pad this review out as best I can.”

The cover of War of the Twins. Caramon, a warrior with tousled brown hair wearing elaborate full plate armor, has his hand on the shoulder of Crysania, a young woman with long black hair wearing white furred robes. He looks at her with concern; she seems distracted.

War of the Twins

“I really appreciate this book’s treatment of war. Unlike the War of the Lance from Chronicles, this war has no good side or bad side, nothing noble or worthwhile. At its core, it’s simply a bunch of desperately poor people killing each other over mouthfuls of food.”

The cover of Time of the Twins. A black-robed, bronze-skinned mage stares directly at the viewer. In one hand he holds a magic staff; the other arm is around the waist of a black-haired young woman in white robes. She seems distracted, staring off to the side with a concerned expression. Behind them is a sky full of roiling clouds.

Time of the Twins

“Frankly, the opening is grim as hell. There’s nothing of the Hallmark movie about this redemption story — it’s ugly and honest and deeply, deeply sad.”

The cover of Dragons of Spring Dawning. Three figures stand in front of a grassy hillside. The first is a beefy warrior wearing a silly winged helmet, a tattered tabard, and a set of mismatched armour. The second is a lady in a defensive stance with a sword. She has permed 1980s hair and is showing off an improbable amount of leg. The third is a bronze-skinned, white-haired man in red robes leaning on a staff. Behind them, a green dragon rears upon the hillside.

Dragons of Spring Dawning

“They’re taking the Ring to Mount Doom, but here it’s a person instead of a magic ring and an old chunk of marble instead of a volcano — and for all the sense it makes, they might as well be taking a fish to a Ferris wheel.”

The cover of Dragons of Autumn Twilight. A cloaked, bearded half-elf, a blond woman carrying a staff, and an armored knight with an awesome moustache stand in front of a hill. A red dragon curls around the hill behind them. Everything is in shades of red and gold.

Dragons of Autumn Twilight

“If there’s one truth about writing that I’ve learned from reviewing an nigh-infinite number of these novels, it’s that good characters can cover up a multitude of sins.”

The cover of Dangerous Games. An armored barbarian holding a staff stands on a perch above a fantasy city, looking over the urban vista.

Dangerous Games

“It’s the old entertainment industry principle of ‘shoot the money’: the biggest, most exciting, most interesting part of Netheril’s history is its spectacular self-destruction, and you’d be a fool not to work it into a novel somehow.”

The cover of Stormlight. A silver-haired woman holding a torch leans over the dead body of a bearded man on a bed.

Stormlight

“The body count quickly goes from ‘a couple of mysterious murders’ to ‘heaps of corpses piled in every hallway,’ but Greenwood doesn’t seem to realize that while one death is a tragedy, dozens are just set dressing.”

The cover of Murder in Halruaa. A woman and a cloaked man stand near a man's corpse at the base of a tree. The woman is showing off her leg for no apparent reason. and the man is gesturing at the corpse.

Murder in Halruaa

“The author’s obvious enthusiasm for the subject hasn’t saved him from coming up with a convoluted plot where events don’t seem to flow naturally, packed with contrivances and improbable insights.”