The cover of Test of the Twins. In front of an indistinctly cloudy background, two figures pose dramatically in a symmetrical composition. In the back, Raistlin, a mage with black robes and long white hair, holds a glowing staff. In the foreground, Caramon, a warrior with fancy plate mail and flowing brown hair, holds a sword and shield. They're both staring at the camera.

Test of the Twins

“So many of the outstanding plot threads were resolved at the end of the previous novel that they had to really work to pad this one out — and that’s forcing me, in turn, to pad this review out as best I can.”

The cover of War of the Twins. Caramon, a warrior with tousled brown hair wearing elaborate full plate armor, has his hand on the shoulder of Crysania, a young woman with long black hair wearing white furred robes. He looks at her with concern; she seems distracted.

War of the Twins

“I really appreciate this book’s treatment of war. Unlike the War of the Lance from Chronicles, this war has no good side or bad side, nothing noble or worthwhile. At its core, it’s simply a bunch of desperately poor people killing each other over mouthfuls of food.”

The cover of Time of the Twins. A black-robed, bronze-skinned mage stares directly at the viewer. In one hand he holds a magic staff; the other arm is around the waist of a black-haired young woman in white robes. She seems distracted, staring off to the side with a concerned expression. Behind them is a sky full of roiling clouds.

Time of the Twins

“Frankly, the opening is grim as hell. There’s nothing of the Hallmark movie about this redemption story — it’s ugly and honest and deeply, deeply sad.”