The cover of The Halfling's Gem. A train of camels races across a desert towards the viewer. The lead camel carries Drizzt, who's disguised as a blond-haired elf and naked to the waist, wielding a scimitar in one hand. The next camel carries Wulfgar, a muscular barbarian, and Catti-Brie, an improbably scantily dressed young woman. Far in the distance, Bruenor, an old dwarf, is on the camel in the rear.

The Halfling’s Gem

The Halfling’s Gem, unfortunately, is a textbook example of Orientalist literature: the noble northern (Western) characters visit exotic Calimshan (the Middle East), are disgusted by what they find, demonstrate their moral and physical superiority by kicking seven kinds of hell out of the depraved Calishites, then return to their home.”

The cover of Streams of Silver. Many skulls are suspended by ropes from the branches of a tree. At the base of the tree is Bruenor, an angry dwarf wearing a horned helmet with one horn broken off. He's carrying a shield with an arrow stuck through it and wielding an axe. On the snowy landscape behind him stand Drizzt, a cloaked dark elf wielding two scimitars; Regis, a plump halfling wielding a dagger, and Wulfgar, a muscular barbarian holding a hammer.

Streams of Silver

“This book follows Bruenor Battlehammer as he drags his friends around the northern Realms on a search for his clan’s ancestral home. It’s like The Hobbit, if there was only one dwarf and he had no idea where his home was.”

The cover of The Crystal Shard. Three figures pose dramatically on the tundra. One is a young barbarian man wearing furs and wielding a hammer. Another is a dark elf, crouching to inspect a line of blood in the snow. The third is a long-bearded, armoured dwarf with an axe. All of them are looking off into the distance at something behind the viewer.

The Crystal Shard

“Drizzt became an archetype that’s been parodied, deconstructed, and reconstructed so many times that now it’s like an overchewed piece of bubble gum, flavourless and tacky.”