The cover of Realms of Infamy. In the background, a dragon flies amongst rock spires. In the middle, a black-hooded man with a glowing staff and eyes looks menacing. In the foreground is a fancy-dressed man brandishing a sword.

Realms of Infamy

“TSR has finally gotten around to employing several new authors to write Realms material. Do these newcomers bring a fresh set of voices to familiar material, or are they just new line cooks churning out the same old dishes?”

The cover of Prince of Lies. In the background Mystra, a black-haired glowing goddess spreads a glowing white cloak. In the foreground Cyric, a wiry demonic-looking man, grasps his forearm with a pained expression. At the bottom, some sort of gargoyle-like creature falls backwards while yelling. (No, none of it makes sense to me either.)

Prince of Lies

“I’d love to see more Forgotten Realms authors run with this depiction of godhood, which gives the gods a delightfully alien feel. Alas, I suspect that everyone else is going to keep writing them as powerful, slightly dim humans and I’ll continue to be annoyed.”

The cover of Realms of Valor. In the background is Elminster, a white-bearded old man smoking a large pipe. In the middle ground is Arilyn, a half-elf with black curly hair, standing dramatically on a rock gazing into the distance. In the foreground is Drizzt, a hooded dark elf holding two scimitars crossed in front of his chest.

Realms of Valor

“The nice thing about a mixed bag like this is that even when you suffer through a badly-written story, you know it’s going to be short and you’ll probably get to a better one soon. Beats slogging through a bad 300-page novel, that’s for sure.”

The cover of The Ring of Winter. A triceratops crashes through the jungle at two men. One of them, a mostly-naked black man, is throwing a spear at it with one hand and holding a Zulu-style shield with the other. The other is a short-haired white man shouting and nocking a bow. This is the only appearance of a black person on a Forgotten Realms cover, which is depressing.

The Ring of Winter

“Is it even possible to write a story of lost cities, dark jungles, and cannibal natives in our modern era without being anachronistic and offensive? Apparently so.”

The cover of Crusade. In the background is King Azoun, an older man with greying brown hair, a jewelled crown, and a world-weary expression. In the left foreground are two armored dwarves, one holding a falcon and one holding an axe. On the right is Alusair, a blonde young woman in full plate armor staring at her drawn sword.

Crusade

“1991 brought us many momentous events: the first Gulf War, the fall of the Soviet Union, the end of apartheid, and the release of the final book in the Empires trilogy. (Curiously, that last one takes up much less space in the history books than the others.)”

The cover of Tantras. An unshaven, spear-wielding man slouches in a crude throne, surrounded by a pair of armored guards and a pair of barely-dressed harem girls. Two figures in chains, their backs to the viewer, are confronting him.

Tantras

“I’m intrigued by how the author tries to take Shadowdale’s established “peaceful utopia” characterization and twist it into something darker and more cynical. It doesn’t actually work, but it could have if it had been handled more deftly.”