The cover of Stormlight. A silver-haired woman holding a torch leans over the dead body of a bearded man on a bed.

Stormlight

“The body count quickly goes from ‘a couple of mysterious murders’ to ‘heaps of corpses piled in every hallway,’ but Greenwood doesn’t seem to realize that while one death is a tragedy, dozens are just set dressing.”

The cover of Silver Shadows. A black-haired woman with a 1980s perm is holding a sword. A spectral image of an elven woman is issuing from the sword. A big dog or wolf is watching from the corner.

Silver Shadows

“I know what you’re thinking: the Harpers accomplishing something without screwing it up or having it turn into a giant mess? It feels so out of character, and yet so refreshing!”

Cover of The Veiled Dragon. A woman standing on a sailing ship is shooting a skeletal dragon with a ray of magic.

The Veiled Dragon

“If your Western characters all speak fluently and your Eastern characters all sound like ‘Thog discover fire! Cave warm now,’ then you’re implicitly infusing your book with a shitty racist message.”

The cover of Masquerades. A red-haired woman in the foreground is looking at a full-face mask held in her hand. Behind her stand a couple of weird-looking men, one with a wide-brimmed hat who appears to be doing a Phantom of the Opera impression and another who looks eerily like Hugo Weaving in the Lord of the Rings movies.

Masquerades

“It’s such a relief to spend time with a female character who feels like a real person after slogging through so many women used as sex objects in the recent Ed Greenwood novels.”

The cover of Crown of Fire. A long-haired blonde woman in a diaphanous white dress is suspended in mid-air, pierced through the chest by a bolt of energy. The background is an abstract, lurid spectrum of incredibly bright colours.

Crown of Fire

“Imagine a chase scene in a movie: cars careening around corners, explosions going off, gunfights between moving vehicles, that sort of thing. It’s exciting and fun, right? Then imagine that the chase scene goes on for nine solid hours.”

The cover of Elfsong. An elf with short black hair holds a harp and looks worried. Behind him, an angry blond fellow is grabbing him by the shoulder and shouting.

Elfsong

“Has there ever been a Dungeons & Dragons class as maligned as the poor bard? Next to a guy who chops monsters up with a sword as big as he is, or a mage who can drop fiery comets on her foes’ heads, a friendly fellow whose special power is singing songs has always felt pretty weaksauce.”

The cover of Soldiers of Ice. A woman in furs with a bow and a gnome in spiked armor stand over a gnoll corpse. They're in a clearing in a snow-covered forest.

Soldiers of Ice

“If this is the Harpers’ general level of competence, it’s hard to imagine why the Zhentarim don’t run the world yet.”

The cover of Crypt of the Shadowking. A gaunt humanoid monster is rising out of a glowing sarcophagus in the background. In the foreground, a woman lies prone and a man is blowing into some sort of device. I think it's supposed to be a musical instrument, but it looks more like he's taking a rip off a bong.

Crypt of the Shadowking

“Imagine that someone read The Lord of the Rings, then said to themself, ‘That was cool, but you know what this story really needed? An entire book devoted to the Scouring of the Shire!’ Because that’s pretty much what we have here.”

The cover of The Ring of Winter. A triceratops crashes through the jungle at two men. One of them, a mostly-naked black man, is throwing a spear at it with one hand and holding a Zulu-style shield with the other. The other is a short-haired white man shouting and nocking a bow. This is the only appearance of a black person on a Forgotten Realms cover, which is depressing.

The Ring of Winter

“Is it even possible to write a story of lost cities, dark jungles, and cannibal natives in our modern era without being anachronistic and offensive? Apparently so.”